Feminism

Johannah, featured in the portrait above, has been a resident at Camphill Village for over thirty years. She is originally from New York City, where her mother and brother currently live. She is a dedicated artist and musician and friend. 

Because of the lack of detail in this photo: In the drawing above, Johannah's work is featured in frames, including a self portrait on the left-most frame and on the page in front of her. Behind her is a wintery scene, since winter is her favorite season. 

in three sentences? michael is a man of few words but much passion. he loves raking, which made for a really lovely experience (see my other post); he loves sports, which made for solid conversation; he loves music, and I saw his big cd collection when he showed me his room; and he loves his woodwork. he showed me his workshop on wednesday, and gave me a chance to see a hobby of his that really keeps him involved with the community at camphill while also providing him with a space to really call his own in which he gets to devote his time and energy into something he cares very deeply about.

this is michael's drawing of a baseball--some very important things to note: one, we are both phillies fans, so crisis averted; two, riva commented that the colors really bring this to life, and that the use of yellow especially makes the other colors pop, with which I concur.

the first morning I worked with michael, we were on the dairy farm raking leaves. at dinner the night before, I remember that he was so excited to rake--I'd asked him about what type of work he did on the dairy farm and for the rest of the night he kept telling me how he hoped that we'd be raking. and I think it was a really great morning and a really lovely experience. working with him doing something he absolutely loved gave me a new attitude--even though I wasn't exactly over the moon to be raking (it's a regular chore for me to begin with, so it wasn't like I was doing something new like working in the weavery or pottery studio), it was easy to have fun when he was so invovled. part of the reason why it was so memorable is because it was so relaxed, fun, and comfortable.

Although working with Sebastian was an incredible, and in many ways life-changing experience, the most directly transformative memory for me took place at a lunch at Kerria House. Sebastian, his house family (a mother, a father, and three daughters), Ina, Natalie, and two older villagers were present, enjoying a delicious meal. Gavin, the house father, was incredibly friendly and respectful towards the villagers who lived in his home, incorporating everyone at the table into the conversation and valuing everyone’s contributions. As Natalie and I learned, he had actually had some experience in working with individuals with developmental disabilities (unlike many of the other house family members around Camphill). 

Sebastian's portrait of me as the Princess Bride:

“A Cast of Beautiful People”:

Bette’s Failed Empathy and Intersectional Representation in The L Word

Sula Malina

December 13^th, 2014

“The point of intersectional analysis is not to find ‘several identities under one’…This would reinscribe the fragmented, additive model of oppression and essentialize specific social identities. Instead the point is to analyse the differential ways by which social divisions are concretely enmeshed and constructed by each other and how they relate to political and subjective constructions of identities”

(Adding this now, as I forgot to post it last week during the zine preparations.)