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Hi everyone, my final project talks about the relationship between art and disability, since we've been discussing CCW and multiple mediums of art that the community have created and its such a vibrant field to dig deeper in. This is a narrated PPT, where each slide accompanies a short audio clip that once you click on it, plays the presentation for the slide. Hope you enjoy!
Hi everyone, my final project talks about the relationship between art and disability, since we've been discussing CCW and multiple mediums of art that the community have created and its such a vibrant field to dig deeper in. This is a narrated PPT, where each slide accompanies a short audio clip that once you click on it, plays the presentation for the slide. Hope you enjoy!
I think of Paul Grobstein every year on his birthday. This year, it is his encouragement to experiment and to work across disciplinary boundaries that I want to celebrate. A long time ago, I sent him an email with a subject line: I don't know what I am writing, but do you think it is anything good? It was a prose poem and not an essay about neurobiology and that did not matter to him in the slightest. So here is something only a little bit similar...
The fire keeps burning and I am already ashes:
My name is Lorelei and I am:
What is "BioArt"?BioArt, or biological art, uses live tissues, organisms and life processes to both create and inspire artistic pieces.
My work with Poem Brut has been in its curating, in publishing a series of books and in presenting a series of performances. If I see any of that activity as my commission, it is my performances, to be found http://stevenjfowler.com/poembrut. These live works form a body of work exploring the principles of the project in living space. What is a mess between people? What is a conversation relating against its own expectation?
Since 2017 I have had the privilege of being involved with Steve Fowler’s Poem Brut project. Alongside exhibiting works, I have engaged in performances exploring the interaction of material, sound and semi-ritualistic processes. Originally no conscious intent or theoretical agenda lay behind them - what drove these performances was instinct, affect and an inclination towards uncensored creation.
I’ve been fortunate to be involved with Poem Brut, either as a performer, an artist, an audience member, as a collaborator or as a publisher, since 2017. My Poem Brut commission, which Serendip has generously supported, is a collaboration with artist Patrick Cosgrove.
