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Sarah's picture

I Can't Believe We're Still Workshopping this Shit: Race and Privilege at Bryn Mawr

Group Members: Jo, Uninhibited, Sarah, Sdane, Sasha De La Cruz

Google doc we worked on together as  group to prepare:

Final 360 Workshop
I Can’t Believe I’m Still Workshopping this Shit: Race and Privilege at Bryn Mawr (1 hour)

Goals: discuss importance to the whole community;discuss issues of race and privilege (color paper)

Voice: Educating people, privilege, school to prison pipeline - criminalization, voice/discussion, Bryn Mawr College History
Vision: The New Jim Crow, walled space, niches - as related to Perry House, where you feel at home on campus
Silence: Voices are silent on campus, silent activity/discussion, silence as a place of reflection, Delpit,

Materials: flipchart, markers, candy,index cards/pens for each team,  tape the floor for step forward statements

jrlewis's picture

Thinking about Critiquing

At one time or another, every writer turns into a teenager.  They fold their arms across their chest and lean back against their chair silent.  They are sullen.  Finally, the frustrated writer exclaims, “you don’t understand me at all!” 

What is a writing teacher to do with a teenager?  This is what I would call a teachable moment.  It is the place where the writer’s technique has failed.  Their craft is insufficient to convey their intentions.  Every student writer needs to learn how to realize their intentions in their writing.  This is true from anthropology papers to poems. 

I would like to make a place for student intent within the teaching of writing. The student writer must to be able to talk about their intent and figure out what technique they should use to realize it.  Sometimes talking about intent in another form is freeing for the writer.  Changes in form and genre can be freeing.   It is essential for the teacher to experience the gap between the student’s intentions and their work.  The teacher should try to help the student bridge the gap by means of better technique.  The potential for revision is what makes teacher’s critiques different from those of literary scholars. 

Michaela's picture

Reflections on the Perry House Couch

To see our videos, go to www.perryhousecouch.tumblr.com ! Feel free to ask us more questions, comment on our videos, etc. 

When I first heard that we were going to be doing final activism projects for this 360 instead of just a term paper or something straightly academic, I was thrilled. I feel as though I left our classroom spaces often unsure of myself or of what to make of what had just been said, and at the same time, feeling as though it had been made abundantly clear just how much work we need to do in the world to make it fairer and more just. In trying to keep myself in touch with the larger picture and the bigger world around me, I often remind myself that I’m just a tiny little piece of an enormous universe full of people, stories, history, happiness, injustices, triumphs and mistakes. But sometimes, this keeps me from feeling as though what I do has much impact at all. I worry that my efforts will not reach far enough, won’t attract enough attention, or won’t be effective. As much as I love being involved as an activist on and off campus, and try to do so as much as possible, I do sometimes feel as though it’s not enough. Throughout this class experience, though, it’s been reinforced for me that it really isn’t about me, or my comfort, or my self-esteem. I can’t use my lack of confidence or fear that my actions will lack efficacy as an excuse to shy away from doing my best, or feeling like the work that I’ve already done or plan to do has purpose and a positive impact.

Sharaai's picture

Memo 3

I ended up writing my memo on the various changes of the program, mostly on what could have happened if we ended up in FDC and how our class ended up adjusting and working out with the Cannery. And I like this image cause it shows how the paths have no end, which is how I feel like our journey with this course will be for a long while. At least for me, I have no idea when it will all come full circle for me. 

mtran's picture

Children and nature

jrlewis's picture

Thinking about Teaching Writing

Or Graduate School Application Responses...

The good writing teacher helps students express ideas clearly and concisely through writing in the form appropriate to their discipline.  The great writing teacher helps students develop the relationship between their thinking and their writing.  The purpose of student writing assignments is not a regurgitation of the material the teacher feed to the class.  It is to continue a conversation started in class and reading assignments.  While the teacher may initiate the conversation, it is the students’ responsibility to extend the classroom discussion with their own insights.  Students are supposed to learn about the relationship of words to ideas. 

Even in the work of the best writers, words fail a little.  Words always incompletely capture the world.  Acknowledging the limitations of language is essential to the practice of writing and interpreting.  However, the gap between intention and interpretation is where real learning occurs, for the writer and the teacher too.  As the technique of the writer improves, the gap decreases.  It is the work of the student and the teacher together to bridge that gap.  The teacher should deploy a variety of strategies to help the student realize their ideas in their writing.  Repeated revisions, experimentation with form, and face-to-face conversations are some good methods.  This story about teaching writing holds true across all disciplines. 

Hummingbird's picture

Standing on Walls

I just wanted to share the video Dan and I did for our final project! We encourage you to share it with all your friends and hope it will spark some really necessary and useful conversation. Enjoy!

(http://www.youtube.com/watch?v=KvwFc-6kWys)

Anne Dalke's picture

and then we celebrated....

Barbara's picture

An Ecological Transition (Self-Evaluation)

Randomly assigned from my three picks of ESem, this ecological journey is like a gift to me in the first semester at Bryn Mawr. I am satisfied that I have enjoyed a college English course – a department I probably would not attempt otherwise. (My option definitely opens up at this point though.)

Reviewing the reading list, I am very impressed by what I have read in this course. Most of the readings were completely new to me, with regard to both genre (I did not have much experience reading academic works that are represented in this course, such as writings of Waring and Merchant) and content. I occasionally had to spend more than four hours (the recommended time on syllabus) for assigned readings of a week. My ability to quickly grab the gist of an article fluctuated and I haven’t found out a clear pattern yet. I think this relates to how similar or different my own language and the writers’ language are; how much background information I had; how close I was to the intended audience. In reading Thomas Berry’s essays, for example, I had a hard time relating to the religious content. After several try and not getting much, I chose to skip the content that I essentially lack a background. Is this the correct strategy in academics? This is one question arisen in my reading process. I enjoyed more and had more to say about narrative than analysis articles. On the other hand, I have started to appreciate analysis articles more over the semester, especially their structure, which I consider to be useful in my future academic papers.

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