Serendip is an independent site partnering with faculty at multiple colleges and universities around the world. Happy exploring!

alesnick's picture

Ideas for e-pen pals exchange

Dear Students:

Here are MC's initial ideas. We welcome your thoughts and topics and activities you'd be interested in doing as part of the exchange (see below). Feel free to comment below or bring ideas to class Tuesday.

Expectation of students: IEP and BMC/HC

To engage in cross cultural communication via facebook/skype/email/etc on a weekly basis to explore the role of online exchange in supporting English Language Learning.

-        Students should be expected to set aside 1.5 hours on a weekly basis to connect and discuss

-        Take into consideration that there are language barriers, cultural differences and religious differences among the students in Malaysia and in BMC/HC. Please be sensitive to the questions you ask, how you dress (if on skype), and the pace/vocabulary you use. Pairs will most likely be male-male and female-female because of cultural/religious reasons.

 Start Date of September intake: September 17th

7 weeks of class

1 week break

3 weeks of class

Week One: Defining Terms (Past/Present/Future)

Objectives: introductions, defining terms (cultural background), understanding different cultures and understandings of technology and their functions

Introduction Interview:

 Content Interview

How do you define technology?

What forms of technology are used by people in your family, hometown and country?

Claire Romaine's picture

Concrete and Metal

If I knew one thing for certain at that point in my life, it was that we were lost: completely, utterly, and irrevocably lost.  We had been walking by the river for almost an hour, vainly trying to find the pedestrian bridge that would take us to Sawyer’s Point and then across the water.  To this day she still tries to tell me that it was my fault we were lost, while I insist endlessly that it was hers.  All I know is that we were wandering in over a hundred degree heat without water and without the faintest sign of life from anything but the cars roaring repeatedly over the bridge three miles away.  By the time we retraced our steps back to the center of downtown Cincinnati, we were both exhausted, but we still had an hour to burn before we could catch a ride home.  We walked around the empty blocks of office towers, brushing past the meager crowds and barren lobbies.

samuel.terry's picture

Words

Link to Radiolab Podcast "Words":  http://www.radiolab.org/2010/aug/09/

In our discussion on Thursday, Anne pulled some lines from "Seeing Gender" that talked about "imagining language as a place of possibility, as opposed to a simple scripted repersentation;" we talked about signs and signifiers, repersentations and mimicry and related it all back to gender. This conversation reminded me of a podcast I listened to a while back called "Words". (I have conveniently linked the podcast above and I highly suggest you listen to it right now!). I relistened to it and thought about it in the context of gender. The general theme of the piece is, what do words do for us? are they neccasary? can you think without them? It's fitting that in each of these questions the word "words" could be replaced with the word "gender" and you could have an equally revolutionary conversation. Both socially constructed things seem so essential to life in our ability relate to ourselves and others. I'm currently struggling to articulate many of the thoughts I have and I'm hesitant to come to conclusions before others (I hope) have a chance to engage with the podcast but here are a couple preliminary reactions:

Serendip Visitor's picture

The Ace Deuce

Ann Arbor is a city. It is an active community with surrounding suburbs and a bustling downtown. It is legally defined as a city, and has a big university drawing in bright young minds. There are a hundred thousand people living in Ann Arbor during the school year, but that includes students. Half the city leaves during the summer, and another hundred thousand people visit each year. I’ve met people from Toledo, Ohio, an important enough city to have a small war over in the 1830s, who love coming all the way to Ann Arbor to go to restaurants and activities. Activities including concerts, lectures, and yes, football. Every home game, Ann Arbor brings in about $2.2 million, and clogs every main artery of the city. I try not to leave my house on game days, but most other days I go downtown. My high school was downtown, and we had an open campus so I ate out at a multitude of small, ethnic restaurants every day. Ann Arbor is fairly diverse for the midwest, though most families are middle class. The University attracts people from all over the world, adding to the cultural capital of the city.


pialikesowls's picture

I Am A City.

Is a city still a city if it’s considered dead? A necropolis? What is a city, exactly? There is a myriad of definitions for “city,” and due to the ambiguity and extensive possibilities, the true definition of a city will never be deciphered. That being said, while states and governments have their own meanings for what a city is, each person has their own denotation of what they think a city is. My relationship with a city stems from its history, its art, and its culture.

Coming from the truly metropolitan and thoroughly modern Singapore, I don’t feel connected with how little history, art, and culture there is. Singapore has a need to stay in the contemporary scene in almost every aspect, and doesn’t leave much room for creativity and culture. While some landmarks of certain cities are older than Singapore itself, the landmarks of Singapore are not particularly historically interesting, in my opinion. However, since Singapore is such a young country, it’s not exactly fair to compare it to a place with such old places. This being said, I yearn to live in and experience a city with history, art, and culture. This is where I turn to museums; specifically, the Metropolitan Museum of Art.

ecohn's picture

The City and Me

     I grew up with a backyard and peaceful, quiet nights. I grew up climbing trees and driving fifteen minutes just to go to the store. I grew up knowing my neighbors and loving my community. I guess I grew up in the “suburbs”.

     Although cities are foreign to me, I find myself to be increasingly comfortable with their quirks and characteristics. The notion of public transportation has grown on me, and I love how every necessity is only a short walk away. However, I don’t think I will ever adjust to the apathy when it comes to nature. I don’t understand how city dwellers can live for months without seeing a real forest.

     North Carolina is different. Great pine trees grow everywhere they can, and no one wants to replace them with noisy highways. Also in North Carolina, however, there are some less appealing qualities.  Public transit, although free, is equivalent to a horse and carriage—not frequently seen or used. In addition to this flaw, my hometown is pretty quiet.

     Chapel Hill, North Carolina has over fifty-five retirement communities, and considering how small the town is, that is a considerable amount of the population who is past their partying prime.  The only “hot spot” in Chapel Hill is Franklin Street, the main street near the local college. There, some stores are even open past nine!

EmmaBE's picture

Journeys through Gender

I had always thought because I had made an effort to educate myself about gender, I had a basic grasp of the concept and its intersection with other identities. But since I’ve arrived at Bryn Mawr and learned more about the people around me and the way they understand gender and how they relate to gender, I have begun to realize that the way I learned about gender was still very normative and not at all inclusive. I have also realized that on a basic level, I have not at all challenged my own views on gender or what my gender really is. An expression of self, yes, but through what mediums and why? Am I only falling into the easiest, pre-assigned slot in the structures of a gendered society? Now I know that my journeys through gender (theoretical and personal) are only just beginning.

kwilkinson's picture

response to ccassidy's post! who am I performing for?

I also struggled with this idea after class.  My freshman year I took the Performance of Self eSem.  This was the first time I had been introduced to the idea that gender is not only a social construction (which I had already concluded from some of my high school curriculum), but that we perform our identities everyday.  I believe that although it is powerful to use the word performance, because it implies one having agency to act instead of remaining complicit in gender norms and stereotypes.  However I must ask, who has the privilege to perform and who does not? 

For myself, I am not so much aware of my performance as Kelly, a Black American Woman, but more so who is my audience?  As I stated in class on Thursday, I am constantly evaluating who am I performing/speaking to?  I believe that my performance as a Black-American woman is incredibily sensitive to my audience.  There is a constant mental duality I must maintain, in order to filter ideas or opinions that I fear may not be well-recepted/misunderstood by people who do not look like me.  For me, I have no option but to perform.  Not only my gender, but also my race.  I am not so sure if that is a good or bad thing?  The idea of performance has definitely contributed to understanding the intersectionality of my identity.  I have come to a point where I am not scared to assert my opinion or persepctive in a conversation. However I always must be conscious of the way I am doing it. 

Amoylan's picture

Gender in Language

The discussion on thursday regarding seeing and reading gender in language really intrigued me. It had never occured to me to look for it or even think twice about it. I guess I always assumed that the voice of the author would be who was speaking in the piece. I find it so interesting that people can seem to tell what gender a voice is just by the words that are being used or the pattern of speech in the particular work. "Seeing Gender" really opened my eyes to a world of gender in language, the last passage expressed so much deep emotion and intimacy that was followed by the question "does gender lie here?" something I never would have asked or wondered about. I'm really looking forward to learning more about this and further analyzing it. 

yj13's picture

Gender Apathy

My own gender identity is something I've always taken for granted. My image in class was that of a rock, which signifies the sort of stagnant journey I've had in discovering my gender. I was designated female at birth, and as such I've considered myself female my entire life and never really had a problem with that. I can wear flowy dresses, baggy t-shirts, dress shirts and slacks, whatever style I find most appealing that day. Though whatever I choose to do I've always considered within the "bounds" of being female. The aptitude test in The New Gender Workbook declared me a gender outlaw, and I'm starting to think of all the ways I don't really fit society's box for my gender. I don't think about my gender all that often, I act and dress the way I choose without too much concern for how it fits the sterotype of female. If I don't shave my legs, if I never wear makeup or nail polish or if I never have children, does that make me less of a woman? What does make a woman anyway? Am I still female if I don't altogether care how I am read by others? Whether or not this causes any personal revelations in my identity I find it an interesting point of discussion that there's always more to learn about gender and sexuality.

Syndicate content