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blendedlearning's picture

Writing Resources for Students

OERs offer student writers an opportunity to learn from each other in ways that a traditional classroom setting doesn’t always allow. These resources include tutorials, interactive exercises, and examples of peer-reviewed work, and digitized reference guides designed to help students become more effective - and more comfortable - as writers.

Resources covered:
A Writer’s Reference
Perdue University’s Online Writing Lab
Writing Spaces
Classroom Salon

et502's picture

How do you learn?

A few years ago, I signed up to get email updates from Sophia.org, a site that compiles online tutorials and resources for both students and teachers. Today's email: Do you know your learning style? Find out using SOPHIA's learning preference assessment. Take our two-minute adventure and you'll be on your way to making the most of your learning potential.

So of course, I took it. While I think my learning style is slightly more nuanced than their response, it was fun to reflect on the kind of teaching that I respond to.. 

transitfan's picture

field notes exceprts thinking more about classroom management

(College)

Today only 1 student shows up. He was absent last week and is eager for a private lesson to help him catch up. We review and learn to identify scales. Due to lack of time, the other students in the class will not learn this; it's not essential to identify harmonic and melodic minor scales but it's nice. One student who was absent has missed three weeks in a row, she told me in an email she has been off-campus on weekends due to a combination of family emergencies and other commitments. She says she is practicing on her own so next week we'll see. I emailed the choral director to let him know, but he didn't seem upset. I think it was a mistake to schedule Sunday afternoon class, although it sounded like a good idea at the time.

(Fourth Grade)

...I lead a somewhat complex activity in which the students broke into groups of four and “composed” a rhythm of 8 measures in 4/4 time then performed it. Some groups really took it a great level by adding movements to their performances. Overall, there was a huge range in how long it took groups to write. I tried to hurry some groups along, which didn't really work. I didn't have a back-up for when students finished writing. There were a few times I struggled to get their attention. Ms. Presley urged me to be more “alpha” and to be sure to get them quiet rather than trying to talk over them. This also came up during the “performances”; some were not very good listeners.

Laura H's picture

Field Notes 4/17

Field Notes 4/17- Ms. R 11th grade American History, Mr. T 10th grade English


Today in my field placement I noticed the different teaching styles of Ms. R and Mr. T. They are very similar in they way they plan their lessons, because they are based around Tech Prep’s core values (inquiry, research, collaboration, presentation, reflection). The assignments are often very open-ended and push students to think critically and be creative (I could do a whole post about the actual projects themselves). However, it seems my two teachers have approached this type of project-based curriculum in different ways.

Aurora Guerrero

Aurora Guerrero is a queer-identified Chicana raised in the San Francisco Bay Area. Guerrero wrote and directed Mosquita y Mari, which premiered at the 2012 Sundance Film Festival in the NEXT category. She holds degrees from the University of California, Berkeley in psychology and Chicano studies and CalArts in directing. From Seattle International Film Festival and Sundance Film Festival webistes

Image Credit: 
Courtesy of Getty Images

Zeina Durra

Zeina Durra is a writer/director. She received her BA in Oriental Studies from Oxford University and MFA from NYU's Tisch School of the Arts, Graduate Film Programme. Her directorial debut, THE IMPERIALISTS ARE STILL ALIVE!, starring the French actress Elodie Bouchez premiered in US Competition at Sundance 2010. Sundance called THE IMPERIALISTS ARE STILL ALIVE! " an exceptional work and heralds the arrival of Durra as an exciting new directorial talent" and Movieline labeled her, " Sundance's most fascinating filmaker, ". Warsaw also awarded THE IMPERIALISTS ARE STILL ALIVE! Best First Feature. Durra is currently working on her second feature and other art projects. "Filmmakers." THE IMPERIALISTS ARE STILL ALIVE. N.p., n.d. Web. 7 Dec. 2012. .

Maria Novaro

Novaro graduated from the University Center for Cinematographic Studies in Mexico City. Her first films, Lavaderos, Sobre las olas, and De encje y azucar, were made in 1981 with a super-8mm camera. Later that year she also became part of Cine Mujer, a Mexican film collective, where she directed Es Premera Vez. Her portrayal of the duality of female realities can be seen in films such as her 1983 film Querida Carmen, in which a young professional woman imagines herself to be Calamity Jane in her daydreams. Her best known film is Una isla rodeada de agua (1985), which chronicles an orphaned teenage girl's quest for her mother along the lovely Costa Grande. http://www.artistdirect.com/nad/store/movies/principal/bio/0,,1972468,00.html

Image Credit: 
Image courtesy of Archivo/ELUNIVERSAL

Jennifer Sharp

Jennifer earned her BFA from New York University, Tisch School of the Arts. After winning numerous awards on the film festival circuit, Jennifer's feature film directorial debut, 'I'm Through With White Girls', has had a limited theatrical release through Image Entertainment in 2007. Other credits include: 'Boxed', a 12 minute short,  'Waiting', a 24 minute short, and a spec commercial, all of which, she wrote, edited, and produced as well. 

Patricia Cardoso

Cardoso directed the HBO feature Real Women Have Curves, which won the Audience Award at the Sundance Film Festival. The film also earned a Special Jury Award for acting at Sundance and became the first HBO film to be released theatrically. Her films have been shown at festivals including: Toronto, London, Sundance, Telluride and New Films/New Directors at MOMA. Cardoso has been awarded the National Board of Review's Excellence in Filmmaking award, a Smithsonian Institute Recognition Award, a UCLA Filmmaker of the Year Honor, the Youth Prize from the San Sebastian Film Festival, a California Governor’s Commendation and the Hubert Bals Fund from the Rotterdam Film Festival among others. As a programmer for the Festival, Cardoso was the director of Sundance's Latin American program. Cardoso has developed feature projects with Universal, Disney, Ciby 2000 and Open City Films. She is an active member of the Directors Guild of America and its Independent Director's Committee. She is also a mentor for Film Independent’s Project Involve. USC School of Cinematic Arts Directory Profile, Accessed December 12, 2012 http://cinema.usc.edu/directories/profile.cfm?id=25027&first=&last=&title=&did=1&referer=%2Fproduction%2Ffaculty.cfm&startpage=1&startrow=1

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