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ishin's picture

Memo#3

My memo discusses the importance of the latent periods of growth, and how things can grow unexpectedly underneath your nose!

Chandrea's picture

Memo #3

My memo was exploring what the intended purpose of inside-outside classes is and what I thought I personally got out of our classes in the Cannery.

Source:

http://www.google.com/imgres?um=1&hl=en&client=firefox-a&sa=N&tbo=d&rls=org.mozilla:en-US:official&channel=fflb&biw=1920&bih=930&tbm=isch&tbnid=c9H3AbzNI6AavM:&imgrefurl=http://www.lipscomb.edu/now/Filter/Item/0/21867&docid=0uL6RlMayE-y8M&imgurl=http://www.lipscomb.edu/uploads/37594.jpg&w=390&h=454&ei=lWXKUKaKM-6N0QHupYH4Cw&zoom=1&iact=rc&dur=1533&sig=107031162954777483525&page=1&tbnh=141&tbnw=121&start=0&ndsp=47&ved=1t:429,r:0,s:0,i:85&tx=54&ty=62

jo's picture

Memo #3

(Sorry it took me a while to figure out how to get this in here as I made it in Word). This is an idea of a chart that I have as a way of thinking about the layerd and overlapping areas of knowledge that exist within our Cannery experience. My memo talks about a lot of what we discussed in class today, and I modified this diagram per Sarah's suggestion, adding another circle for the knowledge that comes with being in prison. The way I've placed the circles suggests that the knowledge we have from outside the Cannery classroom and the knowledge the incarcerated women have do not touch, something that we talked about today and were unsettled about. It makes me think about the quote from Sweeny about the rickety bridge between self and other. As you can see the two are almost overlapping but not quite. Is this accurate to our experience and does it allign with the rickety bridge idea?

Hannah's picture

Alex and Hannah's Teach-in script

sdane's picture

Memo

In my paper, I explore the ways in which ideas of justice are so often guided by theology and religious teachings, including the concept of restorative justice.

(http://farm4.static.flickr.com/3244/2821598191_8cac3cab20.jpg)

Susan Anderson's picture

Skit Teach-In

Our group used a skit to demonstrate ideas about how we, as a society, can change the environment.  We collaborated on two ideas, one of which you saw in class.  Here is a script of our second skit.

I (Susan) am the leader of a protest against deforrestation.  Behind me are several of our classmates, representing other protesters from the same organization.  Sara is a woman who is chopping down trees on her property.  Rochelle is Mother Nature, who is ambling about coughing because Mother nature is sick.  

Susan:  Hello ma'am.  We are from the Americans for the Preservation of Forrests Association.  We would like to protest your chopping down of this forrest.

Sara(in a Southern accent):  This is my property I can do whatever I want to it!

Susan:  But you see, you are affecting more people than just yourself by destroying this tree.

Sara: No one lives within a mile of me!  I am affecting no one.

Susan: Ah, but you see, by killing more things than you need to, you are making Mother Nature sick (gestures to Rochelle).  Mother Nature is already sick as it is, but if you continue to chop down trees you will make her even more sick.  If she gets too sick, then she will destroy us all with extreme weather.

Sara: Ah, piss off.  I'm going inside my house and getting nice and warm. (Sara goes into her house, the group of protestors goes away dejectedly). Oh, it's so nice in this house!

Michaela's picture

Vision Memo 3: What does a prisoner look like?

Several people drew a faceless person as their image of a prisoner in our first drawing exercise. While we certainly aren’t faceless, there is no one image that fits every person, incarcerated or not. 

HSBurke's picture

Vision Memo 3

In my memo, I chose to anaylze the structure of our Vision class and how its complicated layers which served to humanize the incarcerated population paralleled my journey in answering the question: "why should we care?"

http://zouchmagazine.com/art-shots-mohamed-kahouadji-goes-boom-at-brick-lane-gallery/humanize-me/

CMJ's picture

How children develop empathy

Here's a brief and interesting article from the NY Times related to altrusim and empathy in children--it starts at a very young age! Could this insight help us with communal planning for the future?

http://well.blogs.nytimes.com/2012/12/10/understanding-how-children-develop-empathy/?ref=science

Eve's Bayou

About the Film
Year Released: 
1997
Running Time: 
109
Documentary/Fiction: 
Fiction
Synopsis: 

A young girl learns some difficult lessons about truth, love, and fidelity in this critically-acclaimed Southern gothic drama. Eve Batiste (Jurnee Smollett) is a ten-year-old girl whose father Louis (Samuel L. Jackson) is a successful and well-liked doctor in an African-American community in Louisiana. Louis is a good father and an excellent provider, but he also has a way of attracting the ladies, and he's not inclined to turn them away. One night, the Batistes hold a party, and Eve, her older sister Cisely (Meagan Good), and their mother Roz (Lynn Whitfield) all notice that Louis is spending a great deal of time dancing with the same woman. Eve later spies her father and the woman in an embrace in the carriage house, though Louis unconvincingly claims that nothing untoward was happening. The evidence of Louis' infidelity takes a toll on the entire family: Cisely, who at age 14 is walking the middle-ground between being a girl and a woman, becomes sullen and confused about her new emotions, Roz takes out her frustrations on her loved ones, and Eve visits Elzora (Diahann Carroll), a voodoo priestess, looking for advice and possibly revenge. Meanwhile, Eve's Aunt Mozelle (Debbi Morgan), who claims to have psychic powers, arrives to stay with the family after the death of her third husband, though she isn't lonely for long after meeting the eccentric Julien Greyraven (Vondie Curtis-Hall). Eve's Bayou was the first project as writer-director for actress Kasi Lemmons; leading manSamuel L. Jackson also co-produced.

-Mark Demin, rovi

Poster Image: 
Director
Film Director: 
Production Info
Reported or Estimated Budget: 
6,000,000
Location: 
Louisiana
Categories About the Film
Genre: 
drama
period drama
Keywords: 
family
rural life
sexual abuse
Racial/Ethnic Affiliation: 
African American
Filmmaking Team
Writer's Name: 
Kasi Lemmons
Producer: 
Caldecot Chubb, Samuel L. Jackson
Cinematographer: 
Amy Vincent
Primary Cast: 
Jurnee Smollett, Samuel L. Jackson, Diahann Carroll, Lynn Whitfeild, Debbie Morgan, Meagan Good
Exhibition/Distribution Info
Distributor: 
Trimark Pictures
Box Office Earnings: 
$14821531
Where to find it/How to get it: 
DVD widely available
Festivals/Awards: 

-Toronto International Film Festival, 1997 (World Premeire)

-Sundance International Film Festival, 2002

-Nortel Palm Springs Film Festival (Director’s Achievement Award)

-Independent Spirit Award: Best Picture

-National Board of Review: Director Award

-Nominated for seven NAACP Image Awards

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