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Hummingbird's picture

Catholic School and Silence

I went to Catholic school from age 5 to 13, so when Sr. Linda-Susan Beard spoke with our class on Thursday, I felt an immediate and somewhat overwhelming connection to what she was saying. I, too, was a very contemplative child and was particularly faithful from ages 8 through 12, but it's something that until recently I'd come to reject or deny in my personal history. I didn't pray on a regular basis by myself, but I did find comfort in praying in church with my class or during morning prayers each day at school. At the time, prayer for me often did involve asking for something from God. I prayed for family members to stay healthy. I prayed for peace in war stricken regions. I prayed for forgiveness for arguing with my sisters.

Sometimes, though, I was able to enter the entirely contempletive and silent kind of meditation that Sr. Linda-Susan Beard spoke to – and in those moments, I felt utterly at peace with myself and my surroundings. I remember distictly one day in seventh grade when my class went to confessions (to tell the priest our sins and ask forgiveness for those wrongdoings) and I spent almost thirty minutes entranced by the sunlight streaming through the stained-glass windows. I thought it was the most beautiful and God-filled moment I'd ever experienced. 

sdane's picture

Remembering Sister Alice

During Linda Susan Beard’s visit in out class, I couldn’t help but continually think back to Sister Alice Strogen, who passed away last week and who danced in and out of my life over the last ten years, always playing an important role.  As I’ve been thinking about how to process her very sudden death, I keep going back to the grief that Sister Alice herself had to face on an almost constant basis as a byproduct of her job at the Children’s Hospital of Philadelphia.  What was so interesting about her is that (unlike many doctors and nurses I know) she really did allow herself to take the time to feel intense sorrow over the deaths of the children she worked with.  But after pausing for that moment of sadness, she kept on doing her work with the same commitment and passion.  I was drawn to Prof. Beard’s experience participating in a silent retreat after the murder of her nephew, and how she relayed the ways in which she dealt with her inner, personal demons during that time.  In the piece we read for class, she talked about an “encounter with the Lord” she had on her way back from that retreat.

Owl's picture

Voice Paper #2

Owl's picture

Learning how to deal with personal problems in silence

A recurring problem I have noticed, in participating in the silence exercises, has been this fear that in silence the individual is trapped within the walls of her own real life problems and worries. That is to say, that even in one's own mental and bodily silence one can't escape his or her reality. During Linda-Susan Beard's visit this week, a classmate of ours asked what can we do to escape our reality and truly be silent within. Beard responded saying that through silence, she did not escape, but rather found new perspective and thus new ways of confronting her reality.  This reminded me a lot of the women in Sweeney. I couln't help but think about how the women in Sweeney's book used literacy and reading as a way to deal with reality. The women related to characters in books and found comfort in knowing that there were similarities and differences between themselves and the characters. However, they did not use their connections as excuses to dwell on thier lives of crime and 'victimhood', but to open themselves to new perspectives.

As Linda-Susan Beard spoke to our class, she mentioned her retreat of silence during a rough time in her life. As she described her experience she mentioned how, in that context, reading was not allowed. I found myself questioning that in relation to the women in Sweeney's book. What would happen if we took the women from Sweeney's book and asked them to do a silent retreat in which they could not read? 

An Oversimplification of Her Beauty

About the Film
Year Released: 
2012
Running Time: 
93
Documentary/Fiction: 
Mixing Documentary and Fiction
Synopsis: 

You've just arrived home after a bad day. You're broke and lonely, even though you live in the biggest and busiest city in America. You do, however, have one cause for mild optimism: you seem to have captured the attention of an intriguing young lady. You've rushed home to clean your apartment before she comes over. In your haste, you see that you've missed a call. There's a voice mail; she tells you that she won't be seeing you tonight.

With arresting insight, vulnerability, and a delightful sense of humor, Terence Nance’s explosively creative debut feature, An Oversimplification of Her Beauty, documents the relationship between Nance and a lovely young woman as it teeters on the divide between platonic and romantic. Nance creates an exquisite tapestry of live action and various styles of animation to delve deeply into his own young male psyche as he sweats and stretches toward maturity. The result is an exciting and original film that announces the arrival of a bright new cinematic talent.

 – Shari Frilot, Sundance Film Festival Film Guide: An Oversimplification of Her Beauty

Poster Image: 
Director
Film Director: 
Production Info
Reported or Estimated Budget: 
$20,000 KickStarter Budget
Location: 
New York City, New York, USA
Other Interesting Production Info: 
-- Started as a 40 minute short screened in 2006 as a fiction, not documentary as it was released in 2012 -- No animation was originally included in 2006 version -- The film was overall 6 year long process of shooting, animating, and editing • Composer- Terence Nance • Editor- Terence Nance • SOUND DESIGN Vincent Wheeler • ANIMATORS Emory Allen, Hannah J Buck, Sam Corey, Coire Dangerous, Audrey Halgand, Markus Kempken, Leo and Natasha, Jeanne Mailloux, and Timo Prousalis • ILLUSTRATORS Stephanie Matthews and Iyadede • ANIMATION ASSISTANTS Diego Cumplido, Pieter Van Dijken, Dale Hayward, Josh Le Good, Catherine Minh, Ed Smith, Aude Yosa Vallo, Arbel Cohen, Andres Feliz, Emily Sherman, and Matthew Williams
Categories About the Film
Genre: 
animation
documentary
drama
experimental
romance
Keywords: 
art and culture
glbtq
history and memory
sexuality
urban life
Racial/Ethnic Affiliation: 
African American
Filmmaking Team
Writer's Name: 
Terence Nance
Producer: 
Paul Bernon, Joy Bryant, Wyatt Cenac, Media MVMT, Jason Weissman
Cinematographer: 
Matthew E. Bray, Shawn Peters
Primary Cast: 
Terence Nance, Namik Minter
Exhibition/Distribution Info
Distributor: 
Media MVMT
Where to find it/How to get it: 
Not yet released – in festivals or theatres near you!
Festivals/Awards: 

¨       INTERNATIONAL FILM FESTIVAL ROTTERDAM

¨       SUNDANCE ==WORLD PREMEIRE===

¨       PORTUGAL UNDERGROUND FILM FESTIVAL

¨       URBAN WORLD FILM FESTIVAL

¨       ATHENS INTERNATIONAL FILM FESTIVAL

¨       FILMFEST HAMBURG

¨       GOTHAM AWARD 2012

Sharaai's picture

Linda-Susan Beard's Visit

"Silence is pregnant, not empty.”

When Linda-Susan Beard came to our class, I didn’t know what to expect. I knew that I had heard her name in class and during my time at Bryn Mawr but that was all I knew of her.

But when she began to speak, I was immediately pulled in. I was worried that I was going to have a hard time paying attention since I had such a long week but I was completely pulled in from the beginning.

Saving Face

About the Film
Year Released: 
2005
Running Time: 
91
Documentary/Fiction: 
Fiction
Synopsis: 

Director Alice Wu establishes herself as a fresh new American voice with this wonderfully executed romantic comedy of manners. Her debut feature, Saving Face, is a delightful and inspired addition to the roster of films that take on the dynamics of family and love amidst clashing traditional and contemporary mores. Wil and her Ma come from a traditional Chinese family in Flushing, Queens. At first glance, Wil is the picture of the perfect traditional Chinese daughter--a successful surgeon who is dutiful to her widowed mother. The only thing is that Wil dresses a little, well, not right. In fact, at the weekly Chinese singles dance, Wil seems not to be interested in men at all. It turns out that she is secretly struggling to land her first lesbian date with Vivian, a gorgeous ballet dancer. But just when things are looking up, the 48-year old Ma lands on her doorstep announcing that she is pregnant and moving in. Ma has a secret of her own, refusing to name the father for fear of disgracing herself in the eyes of her traditional community. The emotional tones of desire, humiliation, jubilation, and confusion are richly inhabited by a wonderful cast led by the radiant Joan Chen. With Saving Face, Wu and her team have ultimately crafted an infectiously warm, sexy, and heartfelt tale about what it means to live life honestly.

-http://history.sundance.org/films/3266, Shari Frilot, Saving Face, Institute History, 2005 Sundance Film Festival, Poster Image (attach in separate file).

Poster Image: 
Director
Film Director: 
Production Info
Reported or Estimated Budget: 
$ 2,500,000 - IMDB
Location: 
New York City, New York, USA
Other Interesting Production Info: 
Alice Wu based her film off her own coming out story.
Categories About the Film
Genre: 
comedy
drama
family
romance
Keywords: 
family
glbtq
interracial relations
sexuality
urban life
Racial/Ethnic Affiliation: 
Asian-American
Filmmaking Team
Writer's Name: 
Alice Wu
Producer: 
James Lassiter, Teddy Zee, Will Smith
Cinematographer: 
Harlan Bosmajian
Primary Cast: 
Michelle Krusiec, Joan Chen, Lynn Chen
Exhibition/Distribution Info
Distributor: 
Sony Pictures
Box Office Earnings: 
$1186323
Where to find it/How to get it: 
DVD widely available
Festivals/Awards: 

Toronto Film Festival – world premeire-

Sundance Film Festival

San Francisco Asian American Film Festival

Seattle International Film Festival

GLAAD Media Awards

Year    Result Award            Category/Recipient(s)

2006    Nominated      GLAAD Media Award          Outstanding Film - Limited Release

 

Golden Horse Film Festival

Year    Result Award            Category/Recipient(s)

2005    Won    Viewer's Choice Award         

Nominated      Golden Horse Award             Best Actress Michelle Krusiec

 

Gotham Awards

Year    Result Award            Category/Recipient(s)

2005    Nominated      Breakthrough Director Award  Alice Wu

 

San Diego Asian Film Festival

Year    Result Award            Category/Recipient(s)

2005    Won    Visionary Award        Alice Wu

Analysis
Personal Film Review and Cultural Context: 

Wil (Michelle Krusiec) leads as the accomplished surgeon and daughter of the fragile widow "Ma" played by prominent Chinese actress Joan Chen. Almost out of nowhere, Wil is obligated to take in her only living parent when Ma is discovered by her parents to be with child and no ‘’husband to match.’’ When she finds herself enamored with the lively, stunning dancer Vivian (who just so happens to be the daughter of her boss,) Wil tip-toes around her mother, struggling accept her identity in relation to her traditionalist Chinese background. Captured through in soft, quiet, and thoughtfully intimate lensing, one senses the desperation lingering in the heart of every character as they struggle to find comfort in themselves and in each other. 

Sarah's picture

Linda-Susan Beard's visit

Last week I felt anxious knowing that Linda-Susan Beard was coming to class.  As an atheist I must admit I often make assumptions about people who hold religious positions, particularly that they are going to shove religion down my throat, or that they will automatically hold distain for me as an atheist.   I arrived to class a little late and frazzled, which added to my anxiety.  Right when Linda-Susan began speaking though, I felt very soothed by her voice alone.    I really loved her introduction of humming followed by silence, as it allowed me to collect myself.  When she was telling her story of being angry at God for allowing her nephew to be murdered, my eyes began to water, as this is a story I felt I related to when I was younger and questioned the existance of God in response to the death of my mother.   I really wanted to ask Linda-Susan if there were something specific about the silence that allowed her to forgive/reconcile her relationship with God.  I also wanted to ask her what she thought the connection was between religion in morality, because the struggle I face the most as an atheist is people thinking I am therefore not a moral person.  I didn't ask this though, because I felt anyway I would phrase it was going to sound like an attack on her religion, which I feel she might hear a lot on a Bryn Mawr's campus.  Even though I didn't ask my questions, I am still glad she came to class, as it reminded me once again that I hold assumptions that need to be challenged. 

Uninhibited's picture

Linda-Susan Beard

After Linda-Susan Beard's visit to our class on Thursday, i've really been thinking of silence in different ways. As I said in another post, I'm in awe at how "full" and "rich" silence is, and how she needs it in order to recharge. Listening to her speak, and watching the facial expressions showed me just how much she enjoys the experience of silence, whether she uses it as a way to confront aspects of her life that she needs to deal with or because it gives her the opportunity to do something she likes, such as gardening. Her visit left me with questions on this sort of relationship with silence is built. Is it something that takes a long time? Is it something that works for some but not for others? I would love to hear more from her about how to make silence an enjoyable experience used to recharge. I usually feel jittery and definitely notice the small moving clock, but I want a contemplative experience with silence that will leave me feeling rich and full.

Uninhibited's picture

Linda-Susan Beard

After Linda-Susan Beard's visit to our class on Thursday, i've really been thinking of silence in different ways. As I said in another post, I'm in awe at how "full" and "rich" silence is, and how she needs it in order to recharge. Listening to her speak, and watching the facial expressions showed me just how much she enjoys the experience of silence, whether she uses it as a way to confront aspects of her life that she needs to deal with or because it gives her the opportunity to do something she likes, such as gardening. Her visit left me with questions on this sort of relationship with silence is built. Is it something that takes a long time? Is it something that works for some but not for others? I would love to hear more from her about how to make silence an enjoyable experience used to recharge. I usually feel jittery and definitely notice the small moving clock, but I want a contemplative experience with silence that will leave me feeling rich and full.

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