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Notes Towards Day 23: Revising (Moby-Dick and your papers!)

Notes Towards Day 23 of
Food for Thought:
Revising (Moby-Dick and your papers)

I. Coursekeeping: reviewing the remaining
(two weeks?!) of the semester


Tues, Dec. 2 & Thurs. Dec. 4
Chapters 29-37 & 38-54 of Ahab’s Wife

Fri, Dec. 5: Collaboratively-written 6 pp. paper
in which you creatively re-frame an ethical dilemma
two exercises upcoming today to help w/ this process;

Food for Thought: Checklist


Checklist For
Your Final Portfolio

College Seminar
Bryn Mawr College
Fall 2008

 

Food for Thought:
The Omnivore's Dilemma

Food for Thought: Instructions for Preparing your Final Portfolio




Instructions for Preparing
Your Final Portfolio


College Seminar
Bryn Mawr College
Fall 2008

Food for Thought:
The Omnivore's Dilemma

Riki's picture

Are You Anxious or Sad? If So, Probably Both

Between the top two most common mental illnesses in the US are anxiety and mood disorders, which includes depression. Often a depressed person will suffer from anxiety, but more often still an anxious person suffers from depression. However, anxiety and depression, while intricately entwined, are not one and the same. This paper aims to explore each and the relationship between the two mental disorders.

Notes Towards Day 23: Interdisciplinarity/Transdisciplinarity

Notes Towards Day 23 of
Critical Feminist Studies:
Interdisciplinarity/Transdisciplinarity




I. Coursekeeping
some papers to return...

Feminists @ Work Co-Constructing a Curriculum

Okay, So...
Choosing a Text Together

Our Web Presence--Some Notes

Thinking About Our Web Presence:
Laboring in the Cultural Commons

commons

Jonathan Lethem on the cultural commons

What Is Art For?

Serendip and Science Education

Serendip and Science Education,
Formal and Informal

 

Notes on Lewis Hyde


From What is Art For?
In the late 1990s, Hyde began extending his lifelong project of examining “the public life of the imagination” into what had become newly topical territory: the “cultural commons.”

a corporate “land grab” of information... has put a stranglehold on creativity, in increasingly bizarre ways.

We may believe there should be a limit on the market in cultural property, he argues, but that doesn’t mean that we have “a good public sense” of where to set that limit. Hyde’s book is, at its core, an attempt to help formulate that sense.
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