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ari_hall's picture

Hard out here

so there has been this new video by Lily Allen circulating the mass media. When i fist saw it i thought "what in the world did i just watch", then after listening to the lyrics i was like "oh wow, you go girl! being all feminist", then i watched it again and read some articles and i am have to say, why doesnt her feminism include black women? is she a power feminist??

Here was an interesting perspective on her performance and song that I really like: 

http://www.blackgirldangerous.org/2013/11/13/easy-white-bitch-words-lily-allens-new-video/

See video
nia.pike's picture

Questioning what is feminism

I enjoyed today's class discussion on feminism through the eyes of bell hooks. Some of the quotes really got discussion flowing. Feminism is for everyone. I agree with this statement; however, our discussion today made me question it. I tend to think of feminism as the coming together of individual feminism towards a greater movement to empower women. But this quote by bell hooks made me stop and think "Advancing the notion that there can be many "feminisms" has served the conservative and liberal political interest of women seeking status and priviledged class power ...to suggest that one could be feminist and be anti-abortion...is another misguided notion...it is a feminist principle that women should have the right to choose."

Feminism is about choice. But what if one person's view of feminism has a negative effect on someone else? Is that still feminism? Is feminism really about individuals or is it just a collective movement? I thought I was understanding feminism more, now I'm not really sure. But I love questioning!

pialamode314's picture

Feminism IS for Everybody

Near the end of class today when Anne asked us to discuss whether feminism was for everybody, my immediate response was, "YES. ABSOLUTELY." Sexism and patriarchy affects everyone of all different genders in our society, and sometimes people who are unaware of the issues don't realize that. I remember in high school when I was still a budding feminist without much background, I often would get into arguments with classmates about feminism, but when people began to talk about issues men faced and how sexism against men exists, I really didn't know how to intelligently counter the argument, though I knew it was wrong. Unfortunately, the way I felt then is probably the way most people in today's society feel because they are not exposed to the idea that patriarchy affects everyone, including men. That's why I loved bell hooks' definition of feminism: "feminism is the movement to end sexism." Plain and simple. Sexism can rear its ugly head in so many different ways, and it's often not recognized as such. The idea that only men must sign up for the U.S. military draft? Patriarchy teaches us that women are weak and fragile and must be protected. Sexism. The fact that men are more likely to lose custody of children in divorce cases? Patriarchy teaches us that women are better nurturers and care-givers than men and child-rearing is women's work. Sexism. The idea that men cannot show emotions or dress in feminine styles? Patriarchy teaches us that feelings and feminine clothing are women's things, and god forbid men degrade themselves by expressing feminine qualities. Sexism.

tomahawk's picture

Deep Play in Nightowl

I often feel like I experience deep play while I'm writing (even while I'm writing analytical papers). Although I don't actually know if Nightowl felt deep play, I see it in her argument. Whenever I write, I am so absorbed yet malleable. Often, I end up convincing myself of my arguments after I wrote them down. Since Nightowl observes an opinion and then comes to agree with it, it seems as if the process of writing led nightowl into a state of deep play. But, I may just be projecting.

Anne Dalke's picture

two very "playful" articles

(both via Mark)-->

one on the "play of bodies" (playgrounds, over graves....?):
Historic African American cemetery in Queen Village larger than was thought
(Philadelphia Inquirer, November 11, 2013),

and one about "how Einstein thought," or 
Why "Combinatory Play" is the Secret of Genius

(Brain Pickings, August 14, 2013).

Anne Dalke's picture

Planning our In-City Finale: Sunday afternoon, December 8

So, City Players--
our plan is for ALL of us to gather in the city once more
on Sunday, December 8 (between 3-5 or 4-6 p.m).

Please comment on this post by midnight on Wednesday, both confirming that
THIS TIME WILL WORK FOR YOU, and weighing in on the possibilities we've floated so far:

*Anne's condo (@ 9th and Clinton, in Washington Square West),
*Mark's funeral home (@ 1170 S. Broad Street, deep in South Philly),
*a restaurant in Chinatown--Tessa knows a good noodle place?
(where those of us from China would order for those of us from elsewhere,
and explain what's going on around us....?)
**a Philly cheesesteak truck--
and/or suggest a viable alternative.

YOU MUST POST YOUR COMMENT IN RESPONSE TO THE PERSON WHO POSTED BEFORE YOU.
WE ARE NOT LOOKING FOR 26 DIFFERENT IDEAS, BUT RATHER FOR AN ELECTRONIC CONSENSUS.
SO THINK WITH-AND-RESPONSIVELY (you can disagree, of course, but you must do so in dialogue
w/ those who have written before you....). You are also encouraged to check back several hours
after you have posted, to see if a new idea is circulating that you'd like to speak to...

Very much looking forward to seeing what emerges in this conversation.

A&M

alesnick's picture

On our Magic Gardens Visit

Please use this space to share some reflections, questions, provocations.  

EmmaBE's picture

Eva's Time

I really enjoyed talking about the way Eva's time was structured in the novel because it was a concept I hadn't connected with the book. I think that the way we experience time through Eva's eyes in the novel shows us a new kind of way to look at a life in retrospective. The way that each event in the book is somehow connected with what came before it shows Eva as a conglomeration of everything that has happened to her, a rolling snowball of events picking up mass and steam. She crips the reader's experienced time with the way she unreliably (non-normatively) narrates. She is, as we discussed in class, stuck - living all her life at once, and after she has been forced out of the productive timeline into prison, she will remain stuck. She is stuck not only in her cell or her self, but in the institutions that cyclically continue to abuse her, about which she remains silent.

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