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Effects

As a process painter and collage maker, I try to come in close to the line between conscious and unconscious processes and to work gently alongside it. I stick with the physical experience of paint and paper application. I enjoy shifting among various moves, weighting – and waiting! I want in painting not to execute intention but to find and drop it as needed and as possible.

“Effects” became a collage when I needed to cover something on the canvas and find a pathway through the designs. It is made of acrylic on canvas with paper bearing laser-printed and photocopied/re-sized images. The paper is held in place by paint. “Effects” plays with being here and being gone. Putting things in order, getting hold of them, and sailing out.

This painting is currently on exhibit at Woodmere Art Museum's 71st Annual Juried Exhibition

I am currently working on a series of which Effects is a part. The series title is "Catch Me If You Can."

To see more of my work, please visit morewindows.tumblr.com.

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Iowa City

Commander Riker

Works saxophone and Starbucks

Centuries early

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On Losing a Sun Tan

Batter bold,

Fried golden woman behold.

 

Fried is only a letter away from friend

Friend when a letter?

 

Fat and meat must refrigerate; I was told.

You are fat and meat; I was told.

 

“The thickest skin is fried chicken,”

Thinks this chicken woman.

 

“Sexy isn’t crispy; it’s cold

Real cold.”

 

Out I slide the metal refrigerator shelves,

Feeling metal my selves.

 

I fold heels to butt, knees to chest,

Thighs to my stomach fold. 

 

What butt?

But nature at her joints cut.

 

Mycology cries for attention, “Mold!

Come mold!”

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Home

Iowa welcome

Melting my emergency

Car deodorant

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Island Girl

Ribbit

Habit       habitat

Serendibian brown

I imagine my aquarium Sri Lanka.

 

Green crickets,

Right orienting left,

Superficial optic tectum, tacoform,

Experiments are your measurements altering me

From head to heart.

 

You croak.

I prove interspecies

Stockholm syndrome exists

Eating lonely Block Island black crickets.

Truly yours

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Tiger Striped Crescent

Your raw words: butter,

Flour, eggs, salt, yeast, water

 

Into the oven

Sacrificing small lives for art at 400O

In the heat, butter creates air

Texture is born

Pastry                       

Air             Pastry

Air            Pastry                        Air

A pastry of a poem

Good morning moon

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In Defense of Metaphors

“Metaphors are a bad habit,” the professor says.  “We are chefs throwing bacon in bad recipes,” I write in my notes.  “I think in metaphors,” I think.  I’ve read papers on the pedagogical importance of metaphors.  I wrote my senior thesis on the power of metaphors.  It is such a shame Susan Sontag is dead.  Dear Susan, are you turning over in your grave yet?

What is a metaphor?  Or are we talking about all figurative language?  Similes are logically weaker than metaphors, does that make them better or worse?  Then, there is metonymy defying a definition stronger than association.  Synecdoche is a kind of metonymy; the part representing the whole.  Chemistry is the study of synecdoche with respect to any other field.  I think metonymy is the fast lane of thought.  The height of poetry is the wild linking croissants and my imaginary older sister. 

Function follows form is the lesson of the semester, I suspect.  So the problem with metaphors is that they are the converse.  They are meaning heavy.  They are heavy.  This professor likes light language and dark thoughts. What if I resist?  What will this course do to me?  What if no one appreciates this rant? 

I’d rather jump an unfamiliar horse over a fence with my eyes closed than give up my metaphors.  Metaphors equal life for me. 

Anne Dalke's picture

Instructions for Preparing Your 360 Web Portfolio

 


 


Instructions for Preparing
Your Web Portfolio &
Checklist

Women in Walled Communities:
Silence, Voice, Vision


Bryn Mawr College,
Fall 2012

Jody Cohen, Anne Dalke, & Barb Toews

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All Work Due

Fri, 12/21/2012 - 12:30pm
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Fall Break

Sat, 10/13/2012 - 5:00pm - Sun, 10/21/2012 - 5:00pm
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